2019 International Jury

The artists serving on the International Jury embody the glorious traditions of violin playing from all over the world. Mindful of the possibilities available and multi-faceted skills required for a successful career as a violinist in the 21st century, these judges represent various pathways, and amongst them typify soloists, chamber musicians, recording artists, pedagogues, orchestra leaders and conductors of the highest standards.

Dale Barltrop, Australia

Barltrop Dale

Brisbane-born violinist, Dale Barltrop, is Concertmaster of the Melbourne Symphony Orchestra and First Violinist of the Australian String Quartet. He previously served as Concertmaster of the Vancouver Symphony Orchestra in Canada and Principal Second Violin of the St Paul Chamber Orchestra in the United States, having performed with all of these orchestras as soloist and director. Barltrop has also appeared as Concertmaster of the Australian World Orchestra under Sir Simon Rattle, guest director of the Australian Chamber Orchestra, ACO2 and the Camerata of St John’s chamber orchestra in Brisbane. He has performed at numerous music festivals across North America, including Mainly Mozart, Festival Mozaic, Music in the Vineyards, Yellow Barn, Kneisel Hall, Tanglewood and the New York String Seminar.

Barltrop began his violin studies in Brisbane, made his solo debut with the Queensland Symphony Orchestra at the age of 15 and was Concertmaster of both the Queensland and Australian Youth Orchestras. He moved to the United States in 1998 to attend the University of Maryland and continued his studies at the Cleveland Institute of Music. His teachers have included William Preucil, Gerald Fischbach, the members of the Guarneri Quartet, Elizabeth Morgan and Marcia Cox.

A passionate educator, Barltrop has served on the faculties of the Vancouver Symphony Orchestra School of Music and the Vancouver Academy of Music. He has also taught at the University of British Columbia, National Orchestral Institute in Maryland, Australian National Academy of Music and Australian Youth Orchestra.

Barltrop performs on a violin crafted by JB Guadagnini, Turin, 1784. It is on loan from the Ukaria Cultural Centre and was purchased through the generosity of Allan J Myers AO, Maria J Myers AO and the Klein Family.

James Ehnes, Canada

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James Ehnes has established himself as one of the most sought-after violinists on the international stage. Gifted with a rare combination of stunning virtuosity, serene lyricism and an unfaltering musicality, Ehnes is a favourite guest of many of the world’s most respected conductors including Ashkenazy, Alsop, Sir Andrew Davis, Denève, Elder, Ivan Fischer, Gardner, Paavo Järvi, Noseda, Robertson and Runnicles. Ehnes’s long list of orchestras includes, amongst others, the Boston, Chicago, Cleveland, Philadelphia, Los Angeles, Pittsburgh, New York, London Symphony, Philharmonia, BBC Philharmonic, Czech Philharmonic, DSO Berlin and the NHK Symphony orchestras.

Recent and future orchestral highlights include the MET Orchestra at Carnegie Hall with Noseda, London Symphony with Alsop, Gewandhausorchester Leipzig with Shelley, Vienna Symphony with Elder, New York Philharmonic with Mena, Deutsches Symphonie-Orchester Berlin with Slatkin, Chicago Symphony with Gaffigan, Orchestre National de France with Gardner, Cleveland, Philadelphia and Boston Symphony Orchestras with Denève, Frankfurt Radio Symphony with Orozco-Estrada, Pittsburgh Symphony with Honeck, Minnesota Orchestra with Vänskä, Sydney Symphony with Søndergård, Hong Kong Philharmonic with van Zweden and Oslo Philharmonic with Petrenko. In 2017, Ehnes premiered the Aaron-Jay Kernis Violin Concerto with the Toronto, Seattle and Dallas Symphony Orchestras; future performances of the piece include with the Deutsches Symphonie-Orchester and Melbourne Symphony Orchestra. Ehnes was awarded the 2017 Royal Philharmonic Society Award in the Instrumentalist category.

Alongside his concerto work, James Ehnes maintains a busy recital schedule. He performs regularly at the Wigmore Hall, Carnegie Hall, Symphony Center Chicago, Amsterdam Concertgebouw, Ravinia, Montreux, Chaise-Dieu, the White Nights Festival in St Petersburg, Festival de Pâques in Aix, and in 2009 he made a sensational debut at the Salzburg Festival performing the Paganini Caprices. In 2016, Ehnes undertook a cross-Canada recital tour, performing in each of the country’s provinces and territories, to celebrate his 40th birthday.

As a chamber musician, he has collaborated with leading artists such as Andsnes, Lortie, Vogler and Yo-Yo Ma. In summer 2017, Ehnes makes his debut at the Verbier Festival performing with artists including Antonio Pappano, Yuja Wang, Nikolaï Lugansky, Antoine Tamestit and Mischa Maisky. In 2010, he formally established the Ehnes Quartet, with whom he has performed in Europe at venues including the Wigmore Hall, Auditorium du Louvre in Paris and Théâtre du Jeu de Paume in Aix, amongst others. Ehnes is the Artistic Director of the Seattle Chamber Music Society.

Ehnes has an extensive discography and has won many awards for his recordings including a Gramophone Award for his live recording of the Elgar Concerto with Sir Andrew Davis and the Philharmonia Orchestra. His recording of the Korngold, Barber and Walton violin concertos won a Grammy Award for ‘Best Instrumental Soloist Performance’ and a JUNO award for ‘Best Classical Album of the Year’. His recording of the Paganini Caprices earned him universal praise, with Diapason writing of the disc, “Ehnes confirms the predictions of Erick Friedman, eminent student of Heifetz: ‘there is only one like him born every hundred years’.” Ehnes’s recent recording of the Bartók Concerti was nominated for a Gramophone Award in the Concerto category. Recent releases include sonatas by Beethoven, Debussy, Elgar and Respighi, and concertos by Britten, Shostakovich and Prokofiev, as well as the Beethoven Violin Concerto with the Royal Liverpool Philharmonic Orchestra and Andrew Manze, which was released in October 2017 (Onyx Classics)

Ehnes began violin studies at the age of four, became a protégé of the noted Canadian violinist Francis Chaplin aged nine, made his orchestral debut with Orchestre Symphonique de Montréal aged 13 and graduated from The Juilliard School in 1997, winning the Peter Mennin Prize for Outstanding Achievement and Leadership in Music. He is a Fellow of the Royal Society of Canada and in 2010 was appointed a Member of the Order of Canada.

James Ehnes plays the “Marsick” Stradivarius of 1715.

Mauricio Fuks, Uruguay/ USA

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Professor of Violin at the Indiana University Jacobs School of Music and Visiting Professor at the Kronberg Academy, Mauricio Fuks began his violin studies in his native Uruguay with Ylia Fidlon, a pupil of Leopold Auer.  After graduating from the Juilliard School of Music, where he studied with Joseph Fuchs and Ivan Galamian, he furthered his studies at the University of Southern California with Jascha Heifetz.  In 1964 he won 1st Prize at the Young Concert Artists Competition. Following a distinguished international career as concertmaster, chamber musician and soloist, he now devotes himself entirely to pedagogy.

Mauricio Fuks has been a visiting professor at the Yehudi Menuhin School in England, the University of Limerick in Ireland, and the Hochschule fur Müsik “Hanns Eisler” in Berlin.

He is regularly invited to give master classes at the Reina Sofia School in Madrid, the Scuola di Musica in Fiesole, the Royal Conservatory in The Hague, the Baratt-Due School in Oslo, the Royal Academy of Music in London, the Conservatoire National Supérieur de Musique in Paris, as well as the Shanghai and Beijing National Conservatories. He has participated in summer festivals such as the Salzburg International Summer Academy of the Mozarteum, the Britten-Pears School for Advanced Studies in Aldeburgh, the Aurora Music Festival in Sweden and the Verbier Festival in Switzerland. He continues to teach at the Sarasota Music Festival, the Orford Summer Festival in Quebec and is the Director of the Summer Music Academy at the Ferme de Villefavard in France.

Mauricio Fuks has served as jury member in numerous international competitions. He was featured in The Strad Magazine of March 1993 and was appointed an Honorary Member of the Royal Academy of Music in 1999.

Professor Fuks is regarded as one of today’s finest violin pedagogues.

Clara-Jumi Kang, Germany/South Korea

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An artist of impeccable elegance and poise, Clara-Jumi Kang has carved an international career performing with the leading orchestras and conductors across Asia and Europe. Winner of the 2010 Indianapolis International Violin Competition , Kang’s other accolades include 1st  prizes at the Seoul Violin Competition  (2009) and the Sendai Violin Competition  (2010).

 

Having made her concerto debut at the age of five with the Hamburg Symphony Orchestra, Kang has since performed with leading orchestras across Europe including the Leipzig Gewandhaus, Cologne Chamber Orchestra, Kremerata Baltica, Rotterdam Philharmonic, Orchestre National de Belgique and the Orchestre de la Suisse Romande.  In the USA she has performed with orchestras including the Atlanta, New Jersey, Indianapolis and Santa Fe Symphony Orchestras, whilst elsewhere highlights have included appearances with the Mariinsky Orchestra, Tokyo Metropolitan Symphony Orchestra, New Japan Philharmonic, Osaka Philharmonic, NCPA Beijing Orchestra and the Taipei Symphony. A prominent figure in Korea, Clara-Jumi Kang has performed with all of the major Korean orchestras and in 2012 was selected as one of the top 100 “Most promising and influential people of Korea” by major Korean newspaper DongA Times. She returns annually to Korea for tours and was awarded the 2012 Daewon Music Award  for her outstanding international achievements. She has collaborated with eminent conductors including Valery Gergiev, Lionel Briguier, Vladimir Fedoseyev, Andrey Boreyko, Christoph Poppen, Vladimir Spivakov, Yuri Temirkanov, Gidon Kremer, Gilbert Varga, Lü Jia, Myun-Whun Chung, Heinz Holliger and Kazuki Yamada.

 

Clara-Jumi Kang’s first solo album entitled “Modern Solo ” was released on Decca in 2011 and featured works including Schubert’s Erl König, Ysaÿe Solo Sonatas. Her second recording for the label of Brahms and Schumann Violin Sonatas with pianist Yeol-Eum Son was released in 2016. A devoted chamber musician, Kang is a regular visitor to festivals across Asia and Europe, with recent highlights including the Pyeongchang, Hong Kong, Ishikawa, Majorca and Marvao Chamber Music Festivals. She is also a member of the Berlin Spectrum Concerts series and has collaborated with artists including Sunwook Kim, Boris Brovtsyn, Guy Braunstein, Gidon Kremer, Mischa Maisky and Julian Rachlin.

 

Concerto highlights of the 2017/18 season include her debut with the NHK Symphony Orchestra under Tatsuya Shimono performing Berg Violin Concerto. She tours Europe with the Tongyeong Festival Orchestra and Heinz Holliger including performances at the Hamburg Elbphiharmonie, Brucknerhaus Linz and the Bratislava Festival

and returns to the Seoul Philharmonic/Poppen, Poznan Philharmonic/Boreyko and Cologne Chamber Orchestra/Poppen as well as undertaking engagements with the Macao Philharmonic, Naples Philharmonic and appearing at the Amsterdam Concertgebouw with the Rheinische Philharmonie Staatsorchester.

 

Born in Germany to a musical family, Clara-Jumi Kang took up the violin at the age of three and a year later enrolled as the youngest ever student at the Mannheim Musikhochschuhle. She went on to study with Zakhar Bron at the Lübeck Musikhochschule and at the age of seven was awarded a full scholarship to the Julliard School to study with Dorothy Delay. She took her Bachelor and Masters degrees at the Korean National University of

Arts before completing her studies at the Munich Musikhochschule with Christoph Poppen.

Clara-Jumi Kang currently plays the 1708 “Ex-Strauss” Stradivarius, generously on loan to her from the Samsung

Anthony Marwood, United Kingdom

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British violinist Anthony Marwood is known worldwide as an artist of exceptional expressive force. His energetic and collaborative nature places him in great demand as soloist/director with orchestras worldwide. He is Principal Artistic Partner of the celebrated Canadian chamber orchestra, Les Violons du Roy, a post he took up in 2015. In the 16/17 season, he was Artist in Residence at the Norwegian Chamber Orchestra. His eminence as a soloist has brought him to work with conductors such as Valery Gergiev, Sir Andrew Davis, Thomas Søndergård, David Robertson, Gerard Korsten, Ilan Volkov, Jaime Martin, Bernard Labadie and Douglas Boyd.

In recent years, engagements have included the Boston Symphony, St Louis Symphony and Vienna Radio Symphony, as well as the New Zealand and Tasmanian Symphony Orchestras and the Australian Chamber Orchestra. Last season included performances of Kurt Weill’s concerto with the Royal Philharmonic Orchestra of Galicia, play/direct projects with the Aurora Orchestra at London’s Royal Festival Hall and with the Adelaide Symphony Orchestra, a return to the Amsterdam Sinfonietta for a tour of the Netherlands, and a performance of Brahms’s Double Concerto with Alexander Rudin and Musica Viva Moscow.

Marwood is a renowned champion of contemporary music, alongside more traditional repertoire. Among those new works composed for him is Thomas Adès’ Violin Concerto “Concentric Paths”. Marwood first performed the work in Berlin and at the BBC Proms with the Chamber Orchestra of Europe conducted by the composer, following these performances with many national premieres around the globe and a release on EMI in 2010; last season, he performed it with the Leipzig Gewandhaus Orchestra under Andrew Manze. Also composed for Marwood were Steven Mackey’s “Four Iconoclastic Episodes”, premiered in 2009 with the Irish Chamber Orchestra, and Sally Beamish’s 1995 violin concerto, premiered by Marwood with the BBC Scottish Symphony Orchestra under Martyn Brabbins. The most recent work written for Marwood is Samuel Adams’ Violin Concerto, premiered in 2014 by the Berkeley Symphony in California under Joana Carneiro to critical acclaim.

The 17/18 season includes a tour with the Scottish Chamber Orchestra, play/direct engagements with the Sydney Symphony and Tapiola Sinfonietta in Helsinki, debuts with the Gävle Symphony Orchestra (Adès concerto) and Jacksonville Symphony (Berg) and two concerto appearances with the Chamber Orchestra of Paris (Beethoven and Berg).

As a chamber musician, Marwood is a frequent participant at major chamber music festivals, with recent appearances including Vinterfest in Sweden, the Trondheim Chamber Music Festival and Bridgehampton Festival in New York. His recital partners include pianist Aleksandar Madžar, with whom he toured the US last season, and accordionist James Crabb, with whom he appeared at Wigmore Hall in 2015. Marwood returns to the Wigmore Hall in the current season to join musical colleagues for the octets of Mendelssohn and Enescu.

Anthony Marwood’s most recent release – his 50th on the Hyperion label – is a recording of Walton’s Violin Concerto with the BBC Scottish Symphony Orchestra and Martyn Brabbins. The disc has received critical acclaim, including a 5-star review in The Guardian and Classical Source and a ‘Recommended Recording’ in The Strad Magazine, whilst the Sunday Times hailed Marwood as “a thrilling, virtuosic soloist”. Other recent releases for Hyperion include Schumann’s late works for violin and orchestra and Britten’s Violin and Double Concertos, both with the BBC Scottish Symphony Orchestra. Marwood’s recording of Schumann’s violin sonatas, recorded with Aleksandar Madžar on the award-winning Wigmore Live label, was described by International Record Review as “exemplary in every way”, and followed on from the duo’s acclaimed recording of the Brahms violin sonatas on the same label.

Another facet of Marwood’s career is genre-bending presentations, such as the Academy of St Martin in the Fields’ fully-staged production of Stravinsky’s “A Soldier’s Tale”, in which Marwood acted the role of the Soldier and played the violin part. He also enjoyed a successful collaboration with award-winning Indian classical dancer Mayuri Boonham.

Born in London, Anthony Marwood studied with Emanuel Hurwitz at the Royal Academy of Music, David Takeno at the Guildhall School of Music, and took lessons from Sándor Végh and Daniel Phillips at IMS Prussia Cove. He was named Instrumentalist of the Year by the Royal Philharmonic Society in 2006 and was the violinist of the Florestan Trio for sixteen years. He is co-Artistic Director of the Peasmarsh Chamber Music Festival in East Sussex, performs annually at the Yellow Barn Festival in Vermont, and enjoys a close association with the Australian National Academy of Music in Melbourne. Marwood was appointed a Fellow of the Guildhall School of Music in 2013. He was appointed an MBE in the 2018 Queen’s New Year’s Honours List. He plays a 1736 Carlo Bergonzi violin, kindly bought by a syndicate of purchasers.

Ning Feng, China

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Established at the highest level in China, Ning Feng performs regularly in his native country with major international and local orchestras, in recital and with the Dragon Quartet which he founded in 2012. Now based in Berlin and enjoying a global career, Ning Feng has developed a reputation internationally as an artist of great lyricism and emotional transparency, displaying tremendous bravura and awe-inspiring technical accomplishment.

Recent successes for Ning Feng have included a return to Budapest Festival Orchestra with Iván Fischer in Budapest and on tour to China performing Dutilleux L’arbre des songes, and on tour with Hong Kong Philharmonic Orchestra and van Zweden which included performances in Singapore, Seoul, Osaka, Sydney and Melbourne, following his critically-acclaimed European tour with the orchestra in 2015, as well as successful debuts with Los Angeles Philharmonic, Frankfurt Radio Symphony and Royal Philharmonic Orchestra. In recital and chamber music he performs regularly with Igor Levit, amongst others, in many of the major festivals in Germany and elsewhere, including Kissinger Sommer, Heidelberg, Moritzburg, Mecklenburg-Vorpommern, Schubertiade and La Jolla Music Society (California).

Highlights of Ning’s 2017/18 season include debuts with City of Birmingham Symphony with Gražinytė-Tyla playing Bruch Scottish Fantasy and Brahms Violin Concerto, with Royal Scottish National Orchestra performing Korngold, with BBC Scottish Symphony performing Bernstein’s Serenade with John Wilson and with New Jersey Symphony/Slobodeniouk. Ning also returns to Bilbao Symphony Orchestra with Giancarlo Guerrero, China Philharmonic with Michael Stern, and Guangzhou Symphony and Hong Kong Philharmonic, both under the baton of Long Yu. Chamber music highlights include returns to Wigmore Hall and Schubertiade to perform the Schubert Piano Trios with Igor Levit and Daniel Müller-Schott, and two all-Schubert programmes with Nicholas Angelich and Edgar Moreau in Lucerne, as well as his debut at Moritzburg Festival and a performance at Premiere Performances Hong Kong’s 10th anniversary gala concert.

Ning Feng records for Channel Classics in the Netherlands and his latest disc, Apasionado, with Orchestra Sinfónica del Principado de Asturias and Rossen Milanov, features works by Sarasate, Lalo, Ravel and Bizet/Waxman and was released in March 2016. Two further discs are due for release in the 2017/18 season: Bach’s complete solo works for violin, and the Elgar and Finzi Violin Concertos with Royal Liverpool Philharmonic conducted by Carlos Miguel Prieto.

Born in Chengdu, China, Ning Feng studied at the Sichuan Conservatory of Music, the Hanns Eisler School of Music (Berlin) with Antje Weithaas and the Royal Academy of Music (London) with Hu Kun, where he was the first student ever to be awarded 100% for his final recital. The recipient of prizes at the Hanover International, Queen Elisabeth and Yehudi Menuhin International violin competitions, Ning Feng was First Prize winner of the 2005 Michael Hill International Violin Competition (New Zealand), and in 2006 won first prize in the International Paganini Competition.

Ning Feng plays a 1721 Stradivari violin, known as the ‘MacMillan’, on private loan, kindly arranged by Premiere Performances of Hong Kong, and plays on strings by Thomastik-Infeld, Vienna.

Wilma Smith, New Zealand/Australia

WILMA

Former Concertmaster of the Melbourne Symphony Orchestra and the New Zealand Symphony Orchestra, Wilma was born in Fiji and raised in New Zealand. She studied at Auckland University then in Boston at the New England Conservatory with the legendary Dorothy DeLay and Louis Krasner before becoming first violinist of the Lydian String Quartet, winners of the Naumburg Award for Chamber Music and multiple prizes at the Evian, Banff and Portsmouth International String Quartet Competitions.

The quartet was her professional focus in Boston but she also worked regularly with the Boston Symphony Orchestra and was Concertmaster of the Harvard Chamber Orchestra and Handel and Haydn Society.  Invited to return home to form the New Zealand String Quartet, Wilma was first violinist for five years until the NZSO appointed her Concertmaster in 1993, a position she held for nine years until taking up the same position with the MSO from 2003 to 2014.

In addition to her chamber music series, Wilma & Friends, now in its seventh season, Wilma has appeared as Guest Concertmaster with SSO, WASO, TSO, ASO, OV and APO, and teaches at Melbourne and Monash Universities, Scotch College and Korowa Anglican Girls School. In 2016, she was appointed Artistic Director of the Melbourne Chamber Music Competitions by Musica Viva.

 

Robin Congreve, Chairman of the Jury, New Zealand

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Robin is an Auckland based lawyer and businessman. He has had a life-long interest in the arts. He was the founding chairman of New Zealand Opera and established and continues to fund the Walters Prize for contemporary art in New Zealand. He was a founding donor of the Auckland Writers Festival, has served on the International Councils of Tate and MOMA and has sat on committees here and in the UK reviewing various aspects of the arts and philanthropy.

As a musical performer Robin’s experience is limited to some indifferent recorder playing in the Auckland Town Hall in 1953. However he has great affection (and more knowledge than he lets on) for violin repertoire.

 



 

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